EfeJota Suárez

author

“La armonía del silencio” By Lola Blasco. When Little Red Riding Hood Set Fire To The Forest Of Memories

Posted by EfeJota Suárez | 30th Dec 2017 | Review, Spain

Silence. From the Latin “silentium”. The RAE (The Royal Spanish Academy) defines it as...

Read More

“La Sección”: Women Submission and Indoctrination. So Far, so Close

Posted by EfeJota Suárez | 3rd May 2017 | Spain, Theatre and Gender, Theatre and Politics

La Sección recovers the figure of three women to draw a robot sketch of the submission, obedience...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

“Catarina and the Beauty of Killing Fascists” at the… by Maria Delgado 15th August 2024
Mozart! The Gem of European Musical Theatre by Lisa Monde 8th October 2024
Musical “Evita”: 45 Years Later by Lisa Monde 22nd February 2024
Director Laura Jones’ Career-Long Exploration… by Paul Shields 26th October 2024
Ché Walker’s Burnt-Up Love at the Finborough… by Aleks Sierz 1st November 2024
Wajdi Mouawad’s “Littoral”: Searching for Peace… by Walter Byongsok Chon 22nd July 2024
“The Maids” by Genet: The Logic of the Paradox by Lisa Monde 2nd January 2024
“Border” And “Sheol/שאול” –… by Klaudia Święcicka (Klaudiusz Święcicki) 10th October 2024
Trauma In Translation: Stratford’s Milestone… by Barbara Gabriel 19th October 2024
It Takes Artistry to Make Theatre for Young… by Kasia Lech 7th September 2024

Recent Posts

Capitalism Meets Austerity in Àlex Rigola’s “Glengarry Glen Ross” 11th November 2024
Chela De Ferrari’s “The Seagull”: Theatre, Identity and Unrequited Love 10th November 2024
Shakespeare In Iraq: An Interview With Dr. Samir Talib 9th November 2024
The Many Monsters of Ars Nova’s “The Beastiary” 7th November 2024
“Kafkaesque!” A Musical That Is As Hilarious As It Is, Well, Kafkaesque 5th November 2024
Ché Walker’s Burnt-Up Love at the Finborough Theatre: Crime and Redemption In A Shining Gem Of A Show 1st November 2024
“Ghosts of My House” In İstanbul: A Contemporary Canadian Play Out Of Context Or Domesticating Whiteness 31st October 2024
“1981” directed by Tomi Janežič at Novi Sad Theatre 30th October 2024
Director Laura Jones’ Career-Long Exploration Of Beckett Concludes With “Godot” 26th October 2024
Trans Joy in The Christine Jorgensen Show 25th October 2024

SEARCH OUR ARCHIVES

Pin It on Pinterest