“In Two Minds.” Female Led Irish Storytelling
In Two Minds, produced by Dublin’s celebrated multi-award winning Fishamble, is playing at...
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Ireland
More Equal Theatre-Making in Europe: Reflection on Creative Europe and Practical Difficulties from Multilingual Perspectives
The Jeune Théâtre Européen Jeunes Publics (Young European Theatre for Young Audiences) (JTEJP)...
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Multilingual Theatre For/With Young Audiences: On the Jeune Théâtre Européen Jeunes Publics Project
The growing levels of migration results in an increasing number of children across Europe growing...
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Creativity on the Edge, Communication with the Centre, and Conversations about the Future
Being on the edge is the place where I like to be no matter in what domain it is…and the edge is a...
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Polish People Deserve Better From Irish Theatre…
In 2004, Ireland, as one of the first countries in the EU, invited Polish people to live and work...
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Brian Friel’s Dancing At Lughnasa At The National Theatre London
The recent production of Brian Friel’s Dancing at Lughnasa at London’s National Theatre offers its...
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Brian Friel’s “Dancing at Lughnasa” at the National Theatre: Josie Rourke’s Spirited Revival of This 1990 Classic Is More Fun than Subtle
Brian Friel’s classic play about the blending of Paganism and Christianity in 1930s Ireland is...
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Art, Dance, and Film of Ingrid Nachstern and Cate McNider
It was a chance meeting at MoMA’s dance series “Some sweet day” that brought Ingrid Nachstern and...
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Clowning “On Beckett,” Irwin Delights at the Emerson Paramount Center
Bill Irwin greets the audience by conveying that the performance will be around 90 minutes (by way...
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To Be a Machine: Is Hong Kong the Last Place Where Lockdown Theatre Has a Place?
This article is brought to you by Hong Kong Arts Festival. We know that what separates humans from...
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Guide to the Classics: Samuel Beckett’s “Waiting for Godot,” a Tragicomedy for Our Times
Vladimir: Well? Shall we go? Estragon: Yes, let’s go. [They do not move.] Samuel Beckett...
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Guide to the Classics: Samuel Beckett’s “Waiting for Godot,” a Tragicomedy for Our Times
Vladimir: Well? Shall we go? Estragon: Yes, let’s go. [They do not move.] Samuel Beckett...
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Spotlight on “Pale Sister”: On Lighting in Digital Theatre
Pale Sister is the latest adaptation of the Sophoclean tragedy, Antigone (c. 441 BC), written by...
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“UnRavelled” – A New Play by Jake Broder
The thing about UnRavelled is that it’s one of those plays that even a week after seeing it random...
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5 Reasons Why Verse Is the Language for Theatre in 2020s
While theatre in its early days existed in a strong relationship with verse, the social, cultural,...
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“Comfort and Joy” Just When We Need it the Most: A Conversation with Director Aoife Spillane-Hinks
Director Aoife Spillane-Hinks has quite the origin story for her entry into theatre. As the story...
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It’s Okay Not To Be Okay: A Conversation with Irish Playwright Lee Coffey
It’s been six years since Leper and Chip played to sold-out Dublin audiences with critical...
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Adapting Tarots in Performance: LipZinc’s “Talking Tarots”
In his very famous book The Castle of the Crossed Destinies (Il castello dei destini incrociati,...
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Theatre is What You Say: An Interview with Ali Hardiman, Dublin Actor, Writer, Producer and Theatre-Make
It’s been a busy twelve months for Dublin actor, writer, producer and theatre-maker Ali Hardiman....
Read MoreDublin Fringe Festival 2019: Women in Flux
The Dublin Fringe Festival celebrates its 25th year this year and duly provided the Irish capital its characteristic combination of artistry, controlled chaos and thought-provoking content. The stated theme of Dublin Fringe 25,...
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