Trauma In Translation: Stratford’s Milestone Salesman In China
“My head feels like a bridge that all of Beijing has been walking over.” The stage is...
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Canada
“Wine & Halva:” Post-Migration And The Limits Of Western Liberalism
It is May 4, 2024, in Montreal, and I walk on Rue Bélanger as the night is approaching on this...
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Wajdi Mouawad’s “Littoral”: Searching for Peace Through the Devastation of War
Sejong Center for the Performing Arts (artistic director, Sun-Woong Koh) staged the play Littoral...
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“Earworm:” Entangled in the Political Landscape
Toronto’s theatre scene thrives on its multicultural identity, a modern-day Tower of Babel...
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James Reaney’s “The Donnelly Trilogy” and the Making of the Canadian Nation
When you head out of London on Highway 4 North, it is almost a straight line through to Lucan,...
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A Reflection On Nuit, A Dance Performance Genuinely Talking The Truth Of Humanity
Night, a faint and obscure shroud, creeps over and overtakes space. Sounds of footsteps clattering...
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The Theatre We Want In 2040? We Used “Strategic Foresight” To Plan On The Prairies
Does it seem far-fetched to imagine a future where the government subsidizes theatres and theatre...
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Toronto’s Next Gen Theatre Makers are Looking for Answers to Big Questions
When I thought about why I wanted to write this article, a simple, almost childlike thought came...
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Martin Crimp’s “Not One of These People” at the Royal Court: Radical Investigation of Presence and Absence in Fiction
The fictional world is our world, but at the same time it’s another place; likewise, the digital...
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The Return of Gringoire: An Exclusive Interview with Bruno Pelletier
Interview of the “original” Gringoire from Notre Dame de Paris the musical – Bruno...
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“The Drawer Boy” and Another Way of Telling History
The opening play of the Blyth Theatre Season, Michael Healey’s Canadian classic, The Drawer Boy,...
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Haunted History in Cottage Country: “Cottagers and Indians”
Cottagers and Indians by Drew Hayden Taylor A lazy afternoon on a cedar deck that could be...
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Learning From Scratch: Istanbul Theatre Through a Canadian-Armenian Lens. Interview with Art Babayants.
Dr. Art Babayants is a multilingual artist-scholar who lives and works in what is now called...
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“Heartlines”: An Engaging New Drama That Opens the World for Women Artists in Europe
Heartlines closes the spring season of 2022 in the Great Canadian Theatre Company in Ottawa. It is...
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The Awe-Inspiring and Vibrant World of Cirque du Soleil’s “CRYSTAL”: Circus On and Above Ice
An incredible spectacle, Cirque du Soleil’s CRYSTAL is an artistic feat, blending circus arts with...
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Teaching Music Online in the Pandemic Has Yielded Creative Surprises, Like Mixing “Blob Opera” and Beatboxing
Learning to make music is a full mind-and-body activity. Whether teaching how to play a musical...
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How I Met TheTheatreTimes.com
Theatre saved my life. By the time TheTheatreTimes.com appeared, I had already crossed one...
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Review: “UnTuned” (Golvareh)
It’s hard to prepare for life’s high and lows when you think too highly of yourself to expect...
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A Festival that We Need: FOLDA – Festival of Live Digital Arts
As the theatre world in Canada and the US anxiously expects the final re-opening of Broadway and...
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Canada’s Theatre Community Must Nurture BIPOC Leadership to Improve Racial Equity
Last summer, in the midst of global protests against anti-Black racism, Canada’s...
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