Kennedy Center Dramaturgy Intensive 2021 Retrospective
In the face of many challenges in Summer 2021, The John F. Kennedy Center for the Performing Arts...
Read MorePosted by Suzi Elnaggar | 13th Jan 2022 | Covid-19, Dramaturgy, Mexico, Review, United States of America
In the face of many challenges in Summer 2021, The John F. Kennedy Center for the Performing Arts...
Read MorePosted by Antonio Hernández Nieto | 31st Mar 2021 | Mexico, Review, Russian Theatre Abroad
The world premiere of Paloma Negra (Black Dove) by Alberto Conejero at the Theatre of the Canal...
Read MorePosted by Lorena Meeser | 13th Jan 2020 | Mexico, Musical Theatre, Review, Theatre and Dance
Chicago combines passion, adultery, crime, murder, greed, corruption, violence, exploitation and...
Read MorePosted by Lorena Meeser | 23rd Sep 2019 | Adaptation, Immersive Theatre, Mexico, Review
A wonderful experience of intimate theatre. Distancias Cortas is a scenic production that presents...
Read MorePosted by Margarita Vargas | 11th Jun 2019 | Mexico, Review
Authored and directed by Bárbara Colio (Mexicali, Baja California), Casi Transilvania (Almost...
Read MorePosted by Lorena Meeser | 30th Oct 2018 | Directing, Mexico, Musical Theatre, Review
Kiss Of The Spider Woman is splendidly directed by Miguel Septién, an excellent director who...
Read MorePosted by Margarita Vargas | 24th Jun 2018 | Adaptation, Mexico, Review, Theatre and Art, Theatre and Gender
The gardens at the Museum of Modern Art in Mexico City have been the site of Emmanuel Márquez’s...
Read MorePosted by Lorena Meeser | 22nd Jun 2018 | Mexico, Musical Theatre, Review
Fifteen years after the premiere of the Mexican theatrical mise-en-scène of Les Miserables, it...
Read MorePosted by Lorena Meeser | 3rd Jun 2018 | Acting, Mexico, Review
The Glass Menagerie is a masterpiece work of Tennessee Williams, it is a jewel of world...
Read MorePosted by Lorena Meeser | 14th Feb 2018 | Immersive Theatre, Mexico, Playwriting, Review, Transmedia, United Kingdom
Inspired by the Edward Snowden case, James Graham’s Privacy shows us the consequences of...
Read MorePosted by Lorena Meeser | 30th Dec 2017 | Adaptation, Italy, Mexico, Review, Theatre and Politics
A Special Day is based on the 1977 film Una Giornata Particolare by Ettore Scola, starring Sophia...
Read MorePosted by Margarita Vargas | 15th Dec 2017 | Adaptation, Mexico, Playwriting, Review
After a successful run at the Teatro Jorge Negrete since February 2017, Variaciones Enigmaticas is...
Read MorePosted by Margarita Vargas | 22nd Sep 2017 | Acting, Mexico
Premise: The protagonist in Eduardo Orozco’s play Asatia discovers that dedicating...
Read MorePosted by Lorena Meeser | 16th Sep 2017 | Mexico, Theatre and Politics
Leticia Huijara’s theatrical piece When There Were Grenades In November is being presented...
Read MorePosted by Margarita Vargas | 30th Aug 2017 | Mexico
Given that in Eduardo Orozco’s play, Asatia, the protagonist discovers that dedicating one’s...
Read MorePosted by Lorena Meeser | 26th Aug 2017 | Adaptation, Mexico
Icaro Compañía Teatral in Mexico presents Julius Caesar the adaptation of the work of William...
Read MorePosted by Margarita Vargas | 27th May 2017 | Adaptation, Mexico
Made in Mexico, an adaptation of Made in Lanús (1986) by Argentinian writer Nelly Fernández...
Read MorePosted by Margarita Vargas | 17th Feb 2017 | Mexico
The Game We All Play is composed of a series of sketches that have comedic, tragic, and even...
Read MorePosted by Margarita Vargas | 24th Oct 2016 | Mexico, Review
Los minutos se vierten (Minutes Flow), an experimental theater/dance piece, is showing at Teatro...
Read MorePosted by Margarita Vargas | 18th Sep 2016 | Immersive Theatre, Mexico, News
Demonios: las huellas del dolor (Demons: The Traces of Pain), written by Ingrid Águila, and...
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