The Many Monsters of Ars Nova’s “The Beastiary”
Created by On the Rocks Theatre Co. (the two person co-writer and designer team Christopher Ford...
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United States of America
“Kafkaesque!” A Musical That Is As Hilarious As It Is, Well, Kafkaesque
Emily Bronte doesn’t have an acronym but Franz Kafka does and Kafkaesque! Directed by Ashley...
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Director Laura Jones’ Career-Long Exploration Of Beckett Concludes With “Godot”
One day, Laura Jones was late to pick up her three-year-old daughter, Amy. Not a happy moment for...
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Trans Joy in The Christine Jorgensen Show
The Christine Jorgensen Show isn’t perfect, but it’s just so delightfully charming it’s hard...
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Deep Thoughts on Deep History at The Public Theater
Inside the Public Theater it’s 2019 and Australia is on fire. Outside the theater it’s 2024 and...
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The Perils of Parody in Forbidden Broadway: Merrily We Stole A Song
All around me people are laughing uproariously, slapping their knees, bursting into applause mid...
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A Stinging Critique of the American Dream Underlies “The Queen of Versailles”
Spoiler Caution: This essay contains significant plot details from The Queen of Versailles. The...
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The Music of Magical Worlds. An Exclusive Interview with Alan Menken
Everyone knows Alan Menken – the composer, author of the famous animated films released by...
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“The Amazing Doctor She Medicine Show”
The title of the play, The Amazing Doctor She Medicine Show, leaves one wondering who on earth was...
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It Could Happen: Interview with Playwright Sean King and Director William Roudebush
Especially at this age, if you’re going in to try to be looking for fame, you know, it is a myth. I mean then you really are misdirected, and you’re gonna be very, very frustrated. I’m not thinking along those lines, at all, but I do believe in your theory that fame is a myth. I just want to pursue good work. I just want to become better at whatever I pursue, whatever project I take on.
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A Faustian Bargain Itself: Emursive’s “Life and Trust”
At long last, the immersive titan Sleep No More, will—well—sleep no more. The long-running New...
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“The Hope Theory:” A Recipe For Believing In Your Dreams
“Don’t take freedom for granted!” This saying is what Helder Guimarães heard...
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TheTheatreTimes.com wins the 2024 ATHE-ASTR Award for Excellence in Digital Scholarship
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“Cats”: The Jellicle Ball is near Purrfect
Alright, I’ll level with you. Maligned as it is (and oh is it ever) Andrew Lloyd Webber’s 1982...
Read More![Medea as a Border-Body [Part I]](https://thetheatretimes.com/wp-content/uploads/2024/06/Image-2-627x376.jpg.webp)
Medea as a Border-Body [Part I]
Perhaps the 2024 production of La MaMa’s Medea, under Zishan Ugurlu’s direction and reimagining,...
Read MoreMedea as a Border-Body [Part II]
To read PART I of this essay, go to this link. The snake that Medea uses to make her...
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At the Intersection of Interactive Mediums: “DIRT” Blends Games and Theater at The Tank
Do you ever wish you could have a say in how your city developed its land? Well, this month, New...
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Water for Elephants: a Musical or a Circus Drama?
Everyone knows that musical is a synthetic genre in which a story is being told by means of...
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New Play “American Signs” Looks At The Nefarious World Of Consultancies – But Leaves Australia Off The Hook
Anchuli Felicia King’s new one-performer piece, American Signs, written for the talented Catherine...
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“Laughs In Spanish” Review
Laughs in Spanish by Miami native Alexis Scheer is a love letter to her city, specifically the...
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