Electrifying Ensemble Performance and Political Satire in New Māori Play: “Unreel” by Helen Pearse-Otene
The stage explodes with ihi (essential force) and aroha (love, empathy) in Unreel, the new work by...
Read MorePosted by David O'Donnell | 15th Oct 2024 | Education, New Zealand, Review, Theatre and Decolonization
The stage explodes with ihi (essential force) and aroha (love, empathy) in Unreel, the new work by...
Read MorePosted by David O'Donnell | 2nd May 2024 | New Zealand, Puppetry, Review
A new show from Trick of the Light theatre company is always something special, and Suitcase...
Read MorePosted by David O'Donnell | 19th Apr 2024 | Adaptation, New Zealand, Review, Worldwide
The southern city of Ōtepoti/Dunedin has played an important role in the history of Samuel Beckett...
Read MorePosted by David O'Donnell | 21st Mar 2024 | Design, Essay, Festivals, New Zealand
The Drifting Room, created and performed by Stephen Bain. The Performance Arcade 2024,...
Read MorePosted by David O'Donnell | 5th Feb 2024 | Documentary Theatre, New Zealand, Theatre and Age
In a year in which 77-year-old Dolly Parton recorded her first rock record, the octogenarian...
Read MorePosted by David O'Donnell | 28th Jun 2023 | Education, New Zealand, News, Oceania
Due to the current financial crisis in the tertiary education sector in Aotearoa/New Zealand, the...
Read MorePosted by David O'Donnell | 14th May 2021 | Interview, LGBTQ+ Theatre, New Zealand, Playwriting, Theatre and Gender, Theatre for Young Audiences
The Glitter Garden by George Fowler and Lori Leigh. Directed by Lori Leigh. Circa Theatre,...
Read MorePosted by David O'Donnell | 6th May 2021 | Documentary Theatre, New Zealand, Review, Theatre and Politics
Transmission written by Stuart McKenzie. Directed by Miranda Harcourt and Stuart McKenzie. 20...
Read MorePosted by David O'Donnell | 25th Feb 2021 | Dramaturgy, New Zealand, Review, Theatre and Decolonization, Theatre and Politics
Company Kamupene Written and performed by Jamie McCaskill. Presented by Tikapa Productions and The...
Read MorePosted by Hilary Halba and Stuart Young | 25th Oct 2020 | Festivals, New Zealand, Transcultural Collaborations
In September 2019, the UNESCO Cities of Literature Short Play Festival took place in Dunedin, New...
Read MorePosted by David O'Donnell | 9th Oct 2020 | Acting, New Zealand, Russia, Theatre and Age
In June 2017 the eminent New Zealand actor Dame Kate Harcourt celebrated her 90th birthday at...
Read MorePosted by Hilary Halba and David O’Donnell with David Hutchinson, Rua McCallum and Martyn Roberts | 18th Sep 2020 | Devised Theatre, New Zealand, Theatre and Science, Transcultural Collaborations
In the era of Covid 19, when our theatres have been forced to close throughout Aotearoa/New...
Read MorePosted by David Geary | 6th Jul 2020 | Canada, Dramaturgs’ Network: Invisible Diaries, Dramaturgy, Essay, New Zealand, Theatre and Decolonization
I’ve hit the wall. The big move is over but moving the “small stuff” all day reminded...
Read MorePosted by David Geary | 4th Jul 2020 | Canada, Covid-19, Dramaturgs’ Network: Invisible Diaries, Dramaturgy, Essay, New Zealand
It’s TRIV NIGHT! Some TV People we know have kept the community vibe going by organizing online...
Read MorePosted by John Smythe | 16th Jun 2020 | Covid-19, New Zealand, News
Zoom became the tool-de-jour for work meetings and social interaction with family and friends – and its potential for creating Lockdown Theatre was immediately explored, using either Facebook Live or YouTube as platforms for the recorded shows.
Read MorePosted by David O'Donnell | 29th Mar 2020 | LGBTQ+ Theatre, New Zealand, Review, Theatre and Gender
Princess Boy Wonder, performed by George Fowler (aka Hugo Grrrl), Directed by Lori Leigh, BATS...
Read MorePosted by David O'Donnell | 3rd Jan 2020 | Adaptation, LGBTQ+ Theatre, New Zealand, Review
Uma Lava by Victor Rodger, Circa Theatre, Wellington. 23 November – 7 December 2019. Directed by...
Read MorePosted by David O'Donnell | 22nd Nov 2019 | Festivals, New Zealand, Review
TAHI Fess’s: New Zealand Festival of Solo Performance, Artistic Director: Sally Richards....
Read MorePosted by David O'Donnell | 7th Oct 2019 | Adaptation, New Zealand, Review, Theatre for Young Audiences, Transcultural Collaborations
Dream The Black Friars Theatre Company, Mangere Arts Centre, Auckland, 18-21 September 2019 Where...
Read MorePosted by Síofra Ní Shluaghadháin | 15th Aug 2019 | Ireland, New Zealand, Review
Irish theatre company Restless Ecstasy’s production of New Zealand modern classic Skin Tight retains its tension in Dublin showing.
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