“Waiting for Lucky” and “Quê Onde” – A Brazilian Beckett Double Bill Presented at the Between.Pomiędzy Dispersed Festival 2023
Waiting for Lucky and Quê Onde [1] were presented on the evening of Friday May 19, 2023 in Teatr...
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Brazil
ENTRE: A Dispersed Festival of Literature and Theater in Goiania and São Paulo, Brazil
An ambitious plan to fly from Gdańsk, Poland to Goiânia, Brazil and co-organize as well as lead a...
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Theatre and Social Justice in Brazil: The Successful Case of the São Paulo Theatre School
Introduction São Paulo Theatre School was founded in 2009 with the aim to establish a democratic...
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The ENTRE Festival in Midwest Brazil
ENTRE, is a Portuguese verb in the imperative tense that invites us to enter. That says to us:...
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The Brazilian Experience with Different Forms of Technopresence in Theatre: Os Satyros and SP Escola de Teatro
Praça Roosevelt (Roosevelt Square) is a square located in downtown São Paulo. It was a historic...
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A New Kind of Stage Photography – Or Should We Call It by Another Name?
When the COVID-19 pandemic reached Brazil, I was in the city of São Paulo, covering an...
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Building Bridges: Interweaving Beckett – Brazil and Poland
Máskara – the Transdisciplinary Research Center in Theatre, Dance, and Performance – is an...
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Artists’ Entry: Lia Rodrigues
Every month, Etcetera gazes into the soul of a performer. Artistic interest instead of human...
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The Fundamental Profanation
Stabat Mater is the most recent work by Brazilian actress, playwright, and director Janaina Leite,...
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The Bolshoi Theater School: Only in Russia and… Brazil
Twenty years ago, the school’s founders included leading Moscow ballet masters and today, a...
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Bringing the Actor to the Brink of This Immense Abyss: An Interview with Christiane Jatahy
Created and directed by Christiane Jatahy, E se elas fossem para Moscou? is comprised of two...
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Four Brazilian Artists Choose New York as Headquarters of Their Resistance
Evoé Collective was born a year ago founded by four Brazilian actresses based in NYC. Bárbara...
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Avignon 2019: Staging the Impossible. On Exile, Community and Hope in Christiane Jatahy’s “Le Présent Qui Déborde – Notre Odyssée II”
Exile, migration, refugee crisis, loss of home and family, and death are among many realities and...
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Staging The Present Moment: International Festival of Iberian Expression Theatre
FITEI – International Festival of Iberian Expression Theater, taking place in Porto, Portugal,...
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“There Is More Future Than Past” And “A Room of One’s Own”: Documentary Play About Latin American Women Artists
In the early twentieth century, Virginia Woolf published the essay Room of One’s Own, based...
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Performance Entre Le Réel Et Le Virtuel: Le Projet “Odiseo.Com”
Performance Between the Real and the Virtual: The Odiseo.com Project I will focus here on the...
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The Language Of Secrecy In Brazilian Performance “Quaseilhas”
In times of cognitive arrogance in contemporary reception, Quaseilhas is guided by the language of...
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On Vera Mantero’s Residency Program For Brazilian Theater Troop Aisthesis
It was Southern summer, but winter up North when Brazilian artist collective Aisthesis traveled to...
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The Tiger And The Anus: How KFDA Decolonises Cosmopolitanism
The Kunstenfestivaldesarts (KFDA)’s commitment to promoting “cosmopolitan vision as an...
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Adaptation, Participation, Risk-taking: Creative Interventions In Contemporary Performance
Translator and theatre scholar Dr. Jozefina Komporaly reflects on a day of exchange between the...
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