A Beginner’s Guide To Santiago a Mil 2024: 10 Key Takeaways From One of Latin America’s Most Important Theatre Festivals
Santiago a Mil is an annual theatre and performing arts festival held in the Chilean capital in...
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Chile
Dealing with a Difficult Past: Guillermo Calderón’s “Villa” at Santiago a Mil
Catching up with Guillermo Calderón’s Villa at Santiago a Mil after almost 12 years has been a...
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Actor on the Verge of a Nervous Breakdown: “El Brote” (The Break) at Santiago a Mil
El Brote (The Break) is the tale of an actor who doesn’t feel he’s had the career breaks his...
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Performance and Politics: “Parlamento” (Parliament) Storms Santiago a Mil
Piel de Lava have been making work for 20 years and it shows. Elisa Carricajo, Valeria Correa,...
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Making a Film on Santiago’s Streets: “Efectos especiales” at Santiago a Mil
Think of a film set where the audience gathered on the streets are not fully aware that they are...
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Depression and discontents: Daniel Veronese’s staging of “La persona deprimida” (The Depressed Person) at Santiago a Mil
I read David Foster Wallace’s short story The Depressed Person soon after it was published in...
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From 1984 to 2024: Teatro Ictus’s “Primavera Con Una Esquina Rota” (Springtime In a Broken Mirror) at Santiago a Mil
Primavera con una esquina rota (Springtime in a broken mirror) has acquired a legendary status....
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“María Isabel” at Santiago a Mil: Staging Political Agency
How does one “write” a life for the stage? This question lies at the heart of Ana Luz...
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A Fight Against… (Una Lucha Contra…): Interview with Pablo Manzi and William Gregory
A Fight Against… (Una Lucha Contra…) marks Chilean playwright Pablo Manzi’s English-language...
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Dancing with a Deer, a Jaguar or a Snake
A diptych on the re-appearance of other-than-Human movements, with Amanda Piña and Rolando...
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“El Círculo” Review: The Vulnerability of Process as Performance
El Círculo will have another run in this month’s Santiago a Mil festival. This review is of a...
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“Inchoate Buzz:” A Testing Ground for Interaction and Interdisciplinarity
How far can bodily interaction amongst the audience members, with performance objects, and with...
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International Playwrights Showcased at Columbia University School of the Arts
In June 2019, Columbia University School of Arts staged the second annual International Play...
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Daughters of Misfortune: Guillermo Calderón’s “Villa”
Trauma affects everyone differently. Survivors may become fragile or embittered, depressed or...
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“NIMBY” From Chilean-French Company Colectivo Zoológico at Iberoamerikanisches Theaterfestival
On July 4th, 1999, almost 1700 low-income families in Peñalolén, Santiago de Chile illegally...
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The Challenges Facing Chilean Theatre in 2017
The time has come to close the curtains for the 2016 season in Chilean Theatre. With some upcoming...
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Young Theater Artists Making Waves in Chile
Pía Gutiérrez discusses the current state of theater in Santiago, and, in this post, highlights...
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Exclusive Interview with Ariel Dorfman
We knew when we chose Chile as the first country to feature in our original Spotlight series, the...
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New Wave of Chilean Theater
Does young theater belong to young people? Pía Gutiérrez discusses the current state of theater in...
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Bosco Israel Cayo Álvarez: Chilean Playwright and Actor
This original content is exclusive to TheTheatreTimes.com. The interview is part of the series,...
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