Renée Fleming’s Cities That Sing
Grammy winner Renée Fleming recently appeared in the two-part immersive opera series Cities That...
Read MoreJingyi Zhang is a PhD candidate in musicology at Harvard University. Her research focuses on contemporary opera, operatic mobility, voice studies, and critical media studies. She is currently working with Carolyn Abbate and Kate van Orden for her dissertation provisionally titled “Opera of the Future, the Future of Opera: Indie Opera.” In January, she was awarded the Harvard GSC Mini-Course Grant to teach her own course titled "21st Century Contemporary Opera: Affective Storytelling Through Place, Technology, and Memory." Jingyi has presented at regional, national, and international musicology conferences including AMS chapter conferences, AMS Boston 2019, SEM 2019, SAM 2020, and the 22nd CHIME meeting. Her 2019 paper “Fred Ho’s The Warrior Sisters (1998): A Performance of ‘Transformative Interracialism’” won the West Virginia University Press Award. Jingyi's research is supported by the Virgil Thomson Fellowship from the Society for American Music, Fairbank Center for Chinese Studies, Harvard University Asia Center, Richard F. French Fellowship, the GSAS Student Council (GSC), and the Wesley Weyman Fund. She currently serves as the GSAS Student Center Fellow of the World Music Collective at Harvard University, and previous posts include being the Student Representative to AMS (New England Chapter of AMS) from 2019 to 2021 and serving as the Conference Chair of Harvard University Graduate Music Forum 2020 on the theme of global music history and transnational musical exchanges. An active performer and musicologist, Jingyi holds a double-degree B.M. in music history and piano performance at Oberlin Conservatory under a Dean’s Scholarship Award and International Grant, as well as a double-degree M.A. in musicology and M.M. in piano performance at Indiana University Jacobs School of Music under a three-year Jacobs fellowship. She has held both solo and chamber piano performances in Singapore, China, and the US. At Oberlin Conservatory, Jingyi served as Charles McGuire’s music history course tutor and was awarded the Carol Nott Pedagogy Prize upon graduation. Jingyi is regularly invited as a guest music lecturer by Southern University of Science and Technology (SUSTech), teaching courses on western music history.
Posted by Jingyi Zhang | 21st Sep 2023 | News, Theatre and Opera, United States of America
Grammy winner Renée Fleming recently appeared in the two-part immersive opera series Cities That...
Read MorePosted by Jingyi Zhang | 23rd Jan 2023 | Festivals, New York, Prototype 2023, Theatre and Gender, Theatre and Opera, United States of America
A double bill by Irish composer Emma O’Halloran and her uncle, librettist Mark O’Halloran,...
Read MorePosted by Jingyi Zhang | 21st Jan 2023 | Festivals, New York, Prototype 2023, Review, Theatre and Opera, Transmedia, United States of America
Undine is a three-act animated opera composed by Stefanie Janssen and Michaël Brijs. The pandemic...
Read MorePosted by Jingyi Zhang | 20th Jan 2023 | Festivals, New York, Prototype 2023, Review, Theatre and Opera, United States of America
In Our Daughter’s Eyes, composed by Pulitzer prize winning composer Du Yun and librettist Michael...
Read MorePosted by Jingyi Zhang | 18th Jan 2023 | Festivals, Japan, Prototype 2023, Review, Theatre and Opera, United States of America
note to a friend, composed by Pulitzer prize-winning composer David Lang, is a chamber opera...
Read MorePosted by Jingyi Zhang | 17th Jan 2023 | Festivals, New York, Prototype 2023, Review, Theatre and Opera, United States of America
Gelsey Bell’s Morning//Mourning is a quirky, experimental opera that defies categorization. It is...
Read MorePosted by Jingyi Zhang | 23rd Jul 2021 | Review, Theatre and Opera, United States of America
Red Giant, commissioned by Baltimore-based Indie Opera company, Rhymes with Opera, is a live,...
Read MorePosted by Jingyi Zhang | 16th May 2021 | Hong Kong, Review, Theatre and Opera, Transmedia
Laila, a special co-production by the Hong Kong Arts Festival (HKAF) and the Finnish National...
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