It Takes Artistry to Make Theatre for Young Audiences: New Theatre for Children Festival, Wrocław 2024
Theatre for broadly understood young audiences (0-16 years) is one of the most important cultural...
Read MoreKasia Lech, with a PhD from University College Dublin, is a scholar, actor, storyteller, puppeteer, and Associate Professor at the University of Amsterdam. Her research and creative practice explore theatre through practice-based and traditional scholarship and primarily focus on verse, multilingualism, migration, translation, and transnational experience. Kasia’s monograph Dramaturgy of Form: Verse in Contemporary Theatre (Routledge, 2021) explores verse in twenty-first-century practice across different languages, cultures, and media. Her Multilingual Dramaturgies: Towards New European Theatre (Springer, 2024) features over 60 languages that arise from state, ethnicity, region, and disability to argue for multilingual theatre's central role in Europe’s futures. Kasia published on verse in contemporary performance, theatre translation, multilingual theatre, multilingual actor, European theatre, theatre and animal rights, and puppetry. Kasia trained at the Polish National Academy of Theatre Arts and performed internationally in theatre, television, radio, and film, including starring as the Grey Cat, a puppet that co-hosted the awarded live TV show for children CyberMysz on Polish national television. She co-founded Polish Theatre Ireland, an intercultural and multilingual theatre company based in Dublin. She co-convenes the Translation Adaptation Dramaturgy working group at the International Federation for Theatre Research.
Posted by Kasia Lech | 7th Sep 2024 | Czech Republic, Essay, New Theatre for Children Festival, Wrocław 2024, Norway, Poland, Slovakia, Theatre for Young Audiences, United Kingdom
Theatre for broadly understood young audiences (0-16 years) is one of the most important cultural...
Read MorePosted by Kasia Lech | 15th Jul 2024 | Education, Essay, Poland, Theatre and Politics
How do we train students to work within rapidly changing landscapes and for a theatre of the...
Read MorePosted by Kasia Lech | 8th Apr 2024 | Dramaturgy, Interview, Theatre and Politics
Europa jest wielojęzyczna. Europe – as a geopolitical concept, its residents, communities, and...
Read MorePosted by Kasia Lech | 28th Feb 2024 | Essay, France, Germany, Greece, Ireland, Theatre and Politics, Theatre for Young Audiences, Tunisia
The growing levels of migration results in an increasing number of children across Europe growing...
Read MorePosted by Kasia Lech | 7th Sep 2023 | Essay, Ireland, Management, Poland, Theatre and Politics
In 2004, Ireland, as one of the first countries in the EU, invited Polish people to live and work...
Read MorePosted by Kasia Lech | 16th Jun 2023 | Interview, Producing, Transmedia
European Theatre Convention published a new study, Digital Theatre – Strategies and Business...
Read MorePosted by Kasia Lech | 29th Mar 2022 | Essay, Poland, Puppetry, Theatre and Politics, Ukraine
The World Theatre Day Message from the Polish Centre of the ITI was delivered by Dramatyczny...
Read MorePosted by Kasia Lech | 9th Jun 2021 | Adaptation, Festivals, France, Musical Theatre, Review, Spain, United Kingdom
AURIC (Songs from a Golden Age) at the Brighton Fringe is a unique aural journey and experience...
Read MoreKrzysztof Warlikowski’s Nowy Theatre in Warsaw together with Komuna/Warszawa, La Comedie de...
Read MorePosted by Kasia Lech | 12th Mar 2021 | Dramaturgy, Ireland, Nigeria, Playwriting, Poland, Spain, Transmedia, United Kingdom
While theatre in its early days existed in a strong relationship with verse, the social, cultural,...
Read MorePosted by Kasia Lech | 7th Jan 2021 | News, Poland, Theatre and Politics
On Saturday 9th of January, Polish National Theatre will stream its 2015 production of Kordian by...
Read MorePosted by Kasia Lech | 14th Jul 2018 | Festivals, News, Poland, Polish Theatre Abroad
The 2018 Edinburgh Fringe will be particularly exciting for those interested in Polish theatre....
Read MoreLast week, the Zbigniew Raszewski Theatre Institute announced the winners of the 24th National...
Read MorePosted by Kasia Lech | 27th Mar 2018 | Essay, Poland, Theatre and Politics
Premiering Spotlight on Poland Polish theatre has always drawn rich inspiration from Poland’s...
Read MorePosted by Kasia Lech | 3rd Mar 2018 | Czech Republic, Poland, Puppetry, Review, Theatre for Young Audiences
“A long, long time ago…or maybe not so long ago…in fact, quite recently, there was a...
Read MorePosted by Kasia Lech | 1st Mar 2018 | Directing, News, Poland, Theatre and Politics
Jacek Głomb, Polish director and Artistic Director of the Modjeska Theatre in Legnica, has just...
Read MorePosted by Kasia Lech | 1st Mar 2018 | Czech Republic, Essay, Poland, Puppetry, Theatre for Young Audiences, Transcultural Collaborations
Jakub Krofta is currently the Artistic Director of the Wrocław Puppet Theatre (Wrocławski Teatr...
Read MorePosted by Kasia Lech | 25th Feb 2018 | Czech Republic, Essay, Poland, Puppetry, Theatre for Young Audiences
‘In theatre the national differences, instead of dividing, are now connecting,’ says Polish...
Read MorePosted by Kasia Lech | 22nd Oct 2017 | Directing, Essay, Poland
This series introduces Polish directors whose work is recognized in Poland, but they are...
Read MorePosted by Kasia Lech | 23rd Jun 2017 | Festivals, News, Poland
The 2016/17 theatrical season in Poland is about to end and most of the theatres will close for...
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