“Border” And “Sheol/שאול” – Wachowicz/Fret Studio At Edinburgh Festival Fringe 2024
At this year’s Edinburgh Festival in the Grotowski Institute Residence Cube at Fringe 2024...
Read MorePosted by Klaudia Święcicka (Klaudiusz Święcicki) | 10th Oct 2024 | Edinburgh 2024, Poland, Review, United Kingdom
At this year’s Edinburgh Festival in the Grotowski Institute Residence Cube at Fringe 2024...
Read MorePosted by Margaret Rose | 4th Sep 2024 | Edinburgh 2024, Festivals, Review, United Kingdom
Every year at the Edinburgh Fringe, Paines Plough, a UK touring company specialised in...
Read MorePosted by Margaret Rose | 31st Aug 2024 | Edinburgh 2024, Italy, Review, United Kingdom
New plays can derive from many sources: a vivid imagination, novels, diaries, real-life episodes,...
Read MorePosted by Margaret Rose | 31st Aug 2024 | Adaptation, Edinburgh 2024, Review, Scotland
A cast of young actors from diverse parts of the globe brought Malvolio’s Fantasy to the Space...
Read MorePosted by Duška Radosavljević | 29th Aug 2024 | Edinburgh 2024, Review, United Kingdom
With nearly 4000 shows at hundreds of venues in the city, the Edinburgh Festival Fringe is a kind...
Read MorePosted by Margaret Rose | 29th Aug 2024 | Edinburgh 2024, Festivals, Review, United Kingdom
As part of Here and Now, a new Arts Council England showcase, Tim Etchells, artistic director of...
Read MorePosted by Xunnan Li | 28th Aug 2024 | China, Chinese Theatre Abroad, Edinburgh 2024, Review
Adapted from Lu Xun’s novel, the play takes the same name, “Zhu Jian” (Forging the Swords), and has become one of the most popular productions at the Edinburgh Festival Fringe 2024. The work was brought to Edinburgh by a group of student actors from the Central Academy of Drama in China. Director Fengrui Yang is currently pursuing his doctoral training at the Academy. The play is notable for its re-examination of the theme of vengeance, a central idea in Lu Xun’s novel. Lu Xun is one of the most influential authors in modern China featured with his social criticism writing style in the 1920s.
Read MorePosted by Xunnan Li | 28th Aug 2024 | China, Chinese Theatre Abroad, Edinburgh 2024, Interview
UK-China Performing Arts (UKCPA), one of the UK’s most prominent Chinese performing arts organizations, plays a crucial role in bridging Chinese and British performing arts cultures. Joanna Hangyu Zhou, the founder of UKCPA and a former national-level dancer with a permanent position at China National Opera & Dance Drama Theater, has emerged as a leading international dance artist in the UK. Following her graduation with a master’s degree from the University of Roehampton in 2016, where she specialized in dance studies, Joanna embarked on a journey of exploring innovations in intercultural Chinese and British performing arts through artistic practice and education.
Read MorePosted by Margaret Rose | 19th Aug 2024 | Edinburgh 2024, Festivals, Review, United Kingdom, United States of America
The title of the play, The Amazing Doctor She Medicine Show, leaves one wondering who on earth was...
Read MorePosted by Margaret Rose | 18th Aug 2024 | Edinburgh 2024, Festivals, Review, United Kingdom
On this year’s Edinburgh Fringe a raft of reimaginings of Shakespeare’s plays, by emerging and...
Read MorePosted by Margaret Rose | 16th Aug 2024 | Edinburgh 2024, Festivals, Italy, Review, United Kingdom
The five-hundred-year history of Italy’s Commedia dell’Arte is neatly packed into Masquerade, a...
Read MorePosted by Margaret Rose | 16th Aug 2024 | Edinburgh 2024, Festivals, Review, United Kingdom
A unique feature of Edinburgh’s Fringe festival is its inclusive nature. Professional and...
Read MorePosted by Margaret Rose | 16th Aug 2024 | Edinburgh 2024, Festivals, Review, United Kingdom
Spoken word poetry has a huge following in the UK, and Luke Wright is one of the most talented...
Read MorePosted by Margaret Rose | 16th Aug 2024 | Edinburgh 2024, Festivals, Review, United Kingdom
On the Edinburgh Fringe the number of plays investigating climate change is growing each year, and...
Read MorePosted by Margaret Rose | 15th Aug 2024 | Edinburgh 2024, Festivals, Ireland, Review, Theatre and Science, United Kingdom
In Two Minds, produced by Dublin’s celebrated multi-award winning Fishamble, is playing at...
Read MorePosted by Margaret Rose | 14th Aug 2024 | Edinburgh 2024, Festivals, Netherlands, Review, United Kingdom
Director of the Edinburgh International Festival (EIF), Nicola Benedetti, chose ‘Rituals that...
Read MorePosted by Margaret Rose | 14th Aug 2024 | Edinburgh 2024, Festivals, Review, United Kingdom
Hamlet, along with A Midsummer Night’s Dream, The Tempest and Macbeth, are probably the...
Read MorePosted by Margaret Rose | 13th Aug 2024 | Edinburgh 2024, Festivals, Review, United Kingdom
Amy Liptrot’s bestselling memoir, The Outrun (2016) has recently been genre hopping. In January...
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