Starlight Express The Musical: 40 Years in The Orbit
Dedicated to the 40th anniversary of the first original production of the musical Starlight...
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Interview
Shakespeare In Iraq: An Interview With Dr. Samir Talib
Dr. Samir Talib is an Iraqi scholar specializing in Shakespeare and Renaissance studies. He earned...
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On State Theatres and Minoritarian Theatres: Interview with Andrea Wolfer, Head of the Dramaturgy and PR Department of the German State Theatre in Timișoara, Romania
How is the German State Theatre different from other Romanian public theatres? Last year, when...
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Meet ONG Keng Sen, the Artistic Director of Singapore’s T:>Works and Keynote Speaker at the 2024 Singapore Literature Festival in NYC
The 6th biennial Singapore Literature Festival is held in New York City on October 19 and 20,...
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Mozart! The Gem of European Musical Theatre
Dedicated to the 25th anniversary of the musical Mozart! Contains fragments of the exclusive...
Read More![“The Most Daring Adventure Is Practicing Theater Remotely.” An Interview With Telematic Theater Pioneer Marina Hanganu [Part II]](https://thetheatretimes.com/wp-content/uploads/2024/09/FIGURE4-627x376.jpg.webp)
“The Most Daring Adventure Is Practicing Theater Remotely.” An Interview With Telematic Theater Pioneer Marina Hanganu [Part II]
To read PART I of this interview, go to this link. Hayel Ali Al-Mathabi: In light of this...
Read More“The Most Daring Adventure Is Practicing Theater Remotely.” An Interview With Telematic Theater Pioneer Marina Hanganu [Part I]
Marina Hanganu is a theatre director, cultural manager and researcher exploring the intersection...
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Representation Of Women In Iraqi Theatre: An Interview With Playwright And Director Dr. Awatif Naeem
Awatif Naeem is an award-winning TV and theatre actress, director, playwright, and critic. She...
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Intercultural Chinese Dance Artist in the UK: Interview with Joanna Hangyu Zhou
UK-China Performing Arts (UKCPA), one of the UK’s most prominent Chinese performing arts organizations, plays a crucial role in bridging Chinese and British performing arts cultures. Joanna Hangyu Zhou, the founder of UKCPA and a former national-level dancer with a permanent position at China National Opera & Dance Drama Theater, has emerged as a leading international dance artist in the UK. Following her graduation with a master’s degree from the University of Roehampton in 2016, where she specialized in dance studies, Joanna embarked on a journey of exploring innovations in intercultural Chinese and British performing arts through artistic practice and education.
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The Music of Magical Worlds. An Exclusive Interview with Alan Menken
Everyone knows Alan Menken – the composer, author of the famous animated films released by...
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Oscar Barney Finn and Paulo Brunetti Interview
I had the opportunity to interview frequent collaborators, writer-director Oscar Barney Finn and...
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It Could Happen: Interview with Playwright Sean King and Director William Roudebush
Especially at this age, if you’re going in to try to be looking for fame, you know, it is a myth. I mean then you really are misdirected, and you’re gonna be very, very frustrated. I’m not thinking along those lines, at all, but I do believe in your theory that fame is a myth. I just want to pursue good work. I just want to become better at whatever I pursue, whatever project I take on.
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Back to the Updated Future: Rock Opera “Starmania” – 45th Anniversary
In 1979 the very first French iconic rock opera – Starmania, created by Michel Berger...
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Jordan Cheng: The Genial Striver Of Hong Kong Musical Theatre
Is Jordan Cheng for real? The 37-year-old actor, singer, and composer is everywhere these days....
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Theatre Has Gone Underground in Kharkiv – Literally. An Interview with Ukrainian Playwright and Theater-maker Dmytro Ternoviy. Part 1.
I first encountered Dmytro Ternoviy through my Worldwide Ukrainian Play Readings project. His...
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Theatre Has Gone Underground in Kharkiv – Literally. An Interview with Ukrainian Playwright and Theater-maker Dmytro Ternoviy. Part 2.
This is Part 2 of the interview with Dmytro Ternoviy. For Part 1, go here. Dmytro Ternoviy’s...
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At the Intersection of Interactive Mediums: “DIRT” Blends Games and Theater at The Tank
Do you ever wish you could have a say in how your city developed its land? Well, this month, New...
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The Plasticity of Perception: “Babies on the Street: The Show” Brings Internet Drama to The Brick
Hillary Gao and Matthew Antoci adapt an internet tirade and examine perception and forgiveness with Babies on the Street, playing at The Brick in July.
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Theatre as Confrontation: Catherine Filloux’s “How to Eat an Orange” at La MaMa
Catherine Filloux is an internationally recognized French-Algerian playwright. Her work revolves...
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“Miss Saigon”: Déjà vu. An exclusive interview with Claude-Michel Schönberg
Dedicated to the 35th anniversary of the musical Miss Saigon, an exclusive interview with the...
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- Mozart! The Gem of European Musical Theatre 8th October 2024
