The Many Monsters of Ars Nova’s “The Beastiary”
Created by On the Rocks Theatre Co. (the two person co-writer and designer team Christopher Ford...
Read MorePosted by Morgan Skolnik | 7th Nov 2024 | New York, Puppetry, Review, United States of America
Created by On the Rocks Theatre Co. (the two person co-writer and designer team Christopher Ford...
Read MorePosted by Morgan Skolnik | 5th Nov 2024 | Musical Theatre, New York, Review, United States of America
Emily Bronte doesn’t have an acronym but Franz Kafka does and Kafkaesque! Directed by Ashley...
Read MorePosted by Morgan Skolnik | 25th Oct 2024 | LGBTQ+ Theatre, New York, Review, United States of America
The Christine Jorgensen Show isn’t perfect, but it’s just so delightfully charming it’s hard...
Read MorePosted by Morgan Skolnik | 22nd Oct 2024 | New York, Review, Theatre and Science, United States of America
Inside the Public Theater it’s 2019 and Australia is on fire. Outside the theater it’s 2024 and...
Read MorePosted by Morgan Skolnik | 2nd Oct 2024 | Musical Theatre, New York, Review, United States of America
All around me people are laughing uproariously, slapping their knees, bursting into applause mid...
Read MorePosted by Marcina Zaccaria | 11th Aug 2024 | Interview, New York, United States of America
Especially at this age, if you’re going in to try to be looking for fame, you know, it is a myth. I mean then you really are misdirected, and you’re gonna be very, very frustrated. I’m not thinking along those lines, at all, but I do believe in your theory that fame is a myth. I just want to pursue good work. I just want to become better at whatever I pursue, whatever project I take on.
Read MorePosted by Andrew Agress | 7th Aug 2024 | Immersive Theatre, New York, Review, United States of America
At long last, the immersive titan Sleep No More, will—well—sleep no more. The long-running New...
Read MorePosted by Morgan Skolnik | 13th Jul 2024 | LGBTQ+ Theatre, New York, Review, United States of America
Alright, I’ll level with you. Maligned as it is (and oh is it ever) Andrew Lloyd Webber’s 1982...
Read MorePosted by Andrew Agress | 8th Jul 2024 | Interview, New York, United States of America
Do you ever wish you could have a say in how your city developed its land? Well, this month, New...
Read MorePosted by Lisa Monde | 4th Jul 2024 | Musical Theatre, New York, Review, United States of America
Everyone knows that musical is a synthetic genre in which a story is being told by means of...
Read MorePosted by Andrew Agress | 23rd Jun 2024 | Interview, New York, United States of America
Hillary Gao and Matthew Antoci adapt an internet tirade and examine perception and forgiveness with Babies on the Street, playing at The Brick in July.
Read MorePosted by Marcina Zaccaria | 17th Jun 2024 | Directing, New York, Review, United States of America
Staged in the round with fewer than 25 people in a white box that feels like a gallery space, The...
Read MorePosted by Rhiannon Ling | 1st Jun 2024 | Immersive Theatre, New York, Review, United States of America
I’ve long been fascinated by the concept of incorporating video game mechanics into theatrical...
Read MorePosted by Jonathan Kalb | 30th May 2024 | New York, Review, Theatre and Politics, United States of America
When I first heard that Suzan-Lori Parks had taken up the story of Thomas Jefferson and Sally...
Read MorePosted by The Theatre Times | 28th May 2024 | Dramaturgy, New York, News, United States of America
Elinor Fuchs, a trailblazing theater scholar, critic, and playwright, passed away on May 28, 2024,...
Read MorePosted by Rhiannon Ling | 22nd May 2024 | New York, Review, Theatre and Film, United States of America
My first thought upon entering Redemption Story at A.R.T./NY was that of boldness: I can’t recall...
Read MorePosted by Jonathan Kalb | 10th Apr 2024 | Immersive Theatre, New York, Review, United States of America
The last time Ibsen’s An Enemy of the People (1882) made a big splash in New York was in 2013,...
Read MorePosted by Rhiannon Ling | 2nd Apr 2024 | New York, Review, Theatre and Gender, United States of America
“What kind of service do submarines provide?” asks the machine’s captain, Ricky Martin. “Silent...
Read MorePosted by Morgan Skolnik | 31st Mar 2024 | New York, Review, Theatre and Gender, United States of America
Last year I went to the dentist for a toothache and was told that somehow, to my extreme...
Read MorePosted by Jonathan Kalb | 25th Mar 2024 | New York, Review, Theatre and Religion, United States of America
Whatever your opinion of the profundity of John Patrick Shanley’s Pulitzer- and Tony-winning 2005...
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