Starlight Express The Musical: 40 Years in The Orbit
Dedicated to the 40th anniversary of the first original production of the musical Starlight...
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Review
Capitalism Meets Austerity in Àlex Rigola’s “Glengarry Glen Ross”
Àlex Rigola first staged David Mamet’s Glengarry Glen Ross at Barcelona’s Teatre Lliure...
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Chela De Ferrari’s “The Seagull”: Theatre, Identity and Unrequited Love
Peruvian director Chela De Ferrari of Lima’s Teatro La Plaza, reconfigured Hamlet — seen at this...
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The Many Monsters of Ars Nova’s “The Beastiary”
Created by On the Rocks Theatre Co. (the two person co-writer and designer team Christopher Ford...
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“Kafkaesque!” A Musical That Is As Hilarious As It Is, Well, Kafkaesque
Emily Bronte doesn’t have an acronym but Franz Kafka does and Kafkaesque! Directed by Ashley...
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Ché Walker’s Burnt-Up Love at the Finborough Theatre: Crime and Redemption In A Shining Gem Of A Show
Fringe venues perform a vital role on the ecology of London theatre. While many shows at these...
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“Ghosts of My House” In İstanbul: A Contemporary Canadian Play Out Of Context Or Domesticating Whiteness
It is the 24th of September 2024 in İstanbul, and I’m finding my way through the curvy streets of...
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“1981” directed by Tomi Janežič at Novi Sad Theatre
When the premiere performance of the play 1981, directed by Tomi Janežič, began at the Novi Sad...
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Director Laura Jones’ Career-Long Exploration Of Beckett Concludes With “Godot”
One day, Laura Jones was late to pick up her three-year-old daughter, Amy. Not a happy moment for...
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Trans Joy in The Christine Jorgensen Show
The Christine Jorgensen Show isn’t perfect, but it’s just so delightfully charming it’s hard...
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“Tattooer” At Atelier Shunpusha: “Tattooer” Reworks Tanizaki’s Japanese Tale Of Desire And Power With Subtlety And Verve
Tattooer is a playful yet critical adaptation of Junichiro Tanizaki’s (1886-1965) debut short...
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Deep Thoughts on Deep History at The Public Theater
Inside the Public Theater it’s 2019 and Australia is on fire. Outside the theater it’s 2024 and...
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“In The Name Of Profit” At Fringe Milano Off
The city of Milan hosts two annual Fringe events, the first in June, and the second, in late...
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Robert Icke’s Oedipus at Wyndham’s Theatre: Lots Of Stunning Acting Compensates For Some Questionable Writing
The myth of Oedipus is so central to our psychic world that I was really surprised how many people...
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Trauma In Translation: Stratford’s Milestone Salesman In China
“My head feels like a bridge that all of Beijing has been walking over.” The stage is...
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Electrifying Ensemble Performance and Political Satire in New Māori Play: “Unreel” by Helen Pearse-Otene
The stage explodes with ihi (essential force) and aroha (love, empathy) in Unreel, the new work by...
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“Paisatges Compartits (Shared Landscapes)”, A Pleasant Day of Theatrical Land Art
The meeting point is in l’Animal a l’esquena, Malpelo dance company rehearsals site....
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La Vie En Sickly Rose: Florian Zeller’s “The Son” at the German State Theatre
The entire stage is the same shade of pale, dusty pink: the extra-long couch and side tables, the...
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“Eréndira”: Show Business As Usual
Yuri Kordonsky’s Eréndira at the German State Theatre in Timișoara is a visually gorgeous,...
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Theatrical Tectonics: The Slowdown Entertainment of a José Rivera Play
A couple of hours before watching José Rivera’s play Cloud Tectonics staged at the German...
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