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Post-Colonial B-Horror: “The Visitors” at Volksbühne Berlin
This summer, Berlin’s Volksbühne presented The Visitors, a new work by the choreographer Constanza...
“Ghosts of My House” In İstanbul: A Contemporary Canadian Play Out Of Context Or Domesticating Whiteness
It is the 24th of September 2024 in İstanbul, and I’m finding my way through the curvy streets of...
Ché Walker’s Burnt-Up Love at the Finborough Theatre: Crime and Redemption In A Shining Gem Of A Show
Fringe venues perform a vital role on the ecology of London theatre. While many shows at these...
“Kafkaesque!” A Musical That Is As Hilarious As It Is, Well, Kafkaesque
Emily Bronte doesn’t have an acronym but Franz Kafka does and Kafkaesque! Directed by Ashley...
Electrifying Ensemble Performance and Political Satire in New Māori Play: “Unreel” by Helen Pearse-Otene
The stage explodes with ihi (essential force) and aroha (love, empathy) in Unreel, the new work by...
Oscar Barney Finn and Paulo Brunetti Interview
I had the opportunity to interview frequent collaborators, writer-director Oscar Barney Finn and...
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