A Faustian Bargain Itself: Emursive’s “Life and Trust”
At long last, the immersive titan Sleep No More, will—well—sleep no more. The long-running New...
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Immersive Theatre
When Theatre Meets Gaming: “Third Law” at Culture Lab LIC
I’ve long been fascinated by the concept of incorporating video game mechanics into theatrical...
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Who’s Afraid of Thomas Stockmann?
The last time Ibsen’s An Enemy of the People (1882) made a big splash in New York was in 2013,...
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Milan’s FOG Festival
Milan’s international multidisciplinary performance art festival FOG, featuring theatre, music,...
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“The Fantastical Fellowship:” Niche Comedy at Under St. Mark’s
For lovers of the fantastical and the geeky, the scene at Under St. Mark’s is one of nostalgia and...
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History Experienced In VR
Interview with Selma Rizvic, the founder of the Sarajevo Group Laboratory and the digital cultural...
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A Performance of Pediophobia: “Nightmare Dollhouse” Brings Uncanny Horror to NYC
A long-running immersive horror production returns to New York with ‘Nightmare Dollhouse,’ exploring a surprisingly popular fear.
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VR and Theater Finally Make a Climate Baby: “From Sea To Rising Sea” Interview with Creator-Director-Choreographer Mary John Frank
Technology and the theater are closer together than ever, and our hope for the planet may depend...
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Sacrament of the Sea: Houseworld’s “Bottom of the Ocean”
Whispering the word BOTO into the speakeasy-style window of a door, I felt a sense of trepidation,...
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“The Burnt City,” One Cartridge Place
Punchdrunk theatre, the eponymous progenitors of “immersive theatre,” have been wowing...
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“Abril imaginario”: One Step Beyond Immersive and Collaborative Theater
It is the second time that Los números imaginarios (The imaginary numbers), a Spanish company of...
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Honesty and Experience: Interview with Deirdre V. Lyons, Actress, VR-Actress and Producer
Deirdre V. Lyons is currently living in Los Angeles and has been in over 75 Film and Theatrical...
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The First Cabaret Theater in the Slavic World: An Interview with Lafayette
Belgrade and Serbia have a three-century-long history of theatre. Along with the development of...
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Oracle of Pop Art Affirmed in “Chasing Andy Warhol”
Utilizing downtown Manhattan’s East Village and NoHo as a set, Bated Breath Theatre Company’s...
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“The Blue Piano/The Blue Guitar”: Review
THE BLUE PIANO/THE BLUE GUITAR. Director: Fred Abrahamse. Cast: Matthew Baldwin, Zoë McLaughlin...
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“Chalk Lines” by Chalk Repertory Theatre – An Immersive, Virtual, Audio Play Tour
Since January 2009, Chalk Repertory Theatre has been crafting site-specific theatre in Los...
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“Chilahaeboalae” Showcases the Richness of African Folklore
Described as a “musical satire” and with its tongue-in-cheek title, which evokes a...
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Immersion and Spectator Self-Reckoning: “Boxing Shadows” at the Avignon Theatre Festival
One of the highlights of this year’s Avignon Festival was Boxing Shadows, written especially by...
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Galup Theatrical Walking Tour Recalls the Dancing and Violence of the Colonial Encounter
Review: Galup, by Ian Wilkes and Poppy van Oorde-Grainger, Perth Festival with Same Drum and...
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“Manimals” and the Exploration of Digital Liveness
Manimals, created by Michelle Hudson and her team, shines as a piece that accomplishes the difficult taste of engaging audiences across the computer screen.
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