“Bérénice” at Milan’s FOG Festival
Together with Wayne McGregor’s dance piece, UniVerse: A Dark Crystal Odyssey, Romeo Castellucci’s...
Read MorePosted by Margaret Rose | 14th May 2024 | Festivals, Italy, Theatre and Art
Together with Wayne McGregor’s dance piece, UniVerse: A Dark Crystal Odyssey, Romeo Castellucci’s...
Read MorePosted by Ivanka Apostolova Baskar | 26th Jan 2024 | Germany, Interview, Theatre and Art, Theatre and Gender
Christian Tschirner aka Soeren Voima (he/him – author, theater maker, Schauspielhaus...
Read MorePosted by Marilena Borriello | 6th Aug 2023 | Denmark, Review, Theatre and Art
In Ways of Seeing (1972), John Berger stated that “the way we see things is affected by what...
Read MorePosted by Lisa Monde | 24th Jun 2023 | Interview, Theatre and Art, United States of America
Dedicated to the 80th anniversary of the very first publication of Antoine de Saint-Exupéry’s...
Read MorePosted by Marilena Borriello | 9th Jun 2023 | Review, Sweden, Theatre and Art
The bread holds a distinct symbolic significance within the realm of art iconography. Often...
Read MorePosted by Alexander Fatouros | 10th Mar 2023 | Interview, New York, Theatre and Art, Transmedia, United States of America
Creating art that reflects our time, Kat Mustatea is a playwright and technologist whose...
Read MorePosted by Oliver Giles | 2nd Jan 2023 | China, Hong Kong, Producing, Theatre and Art
Para Site, one of Hong Kong’s leading contemporary art spaces, is famous for its sprawling,...
Read MoreIt was well past midnight on October 2, 2021. Current Plans—at the time known as Present...
Read MorePosted by Ivanka Apostolova Baskar | 23rd Jul 2022 | Interview, Playwriting, Serbia, Theatre and Art
An Interview with Katarina Saric – poet, writer, performer, activist-feminist (Montenegro)...
Read MorePosted by Alexander Fatouros | 7th Jul 2022 | News, Theatre and Art, Transmedia, United States of America
Embodying a portfolio of projects, metaLAB (at) Harvard is a think tank spotlighting the networked...
Read MorePosted by Alexander Fatouros | 17th Apr 2022 | Immersive Theatre, New York, Review, Theatre and Art, United States of America
Utilizing downtown Manhattan’s East Village and NoHo as a set, Bated Breath Theatre Company’s...
Read MorePosted by Daily Sabah | 16th Apr 2022 | New York, Theatre and Art, Theatre and Opera, United States of America
It is “Don Carlos” season at the Metropolitan Opera in New York City, with the final...
Read MorePosted by Gabrielle Edelstein | 5th Feb 2022 | Australia, Review, Theatre and Art
When was the last time you looked at a stranger in the eyes? Really looked, for an uncomfortably...
Read MorePosted by Alexander Fatouros | 3rd Jan 2022 | Boston, Review, Theatre and Art, Transmedia, United States of America
A daring and nuanced documentary virtual theatre piece about Jewish refugees fleeing Nazi Germany...
Read MorePosted by John Freedman | 25th Sep 2021 | News, Russia, Theatre and Art, United Kingdom
“Stop now! See that? You see that cloud? That beautiful shape?” That is what Ken Reynolds would...
Read MorePosted by Lara Cox | 19th Sep 2021 | France, Review, Theatre and Art
In 2017, the cosmetics company Nivea released an advert that was promptly pulled: a white woman’s...
Read MorePosted by Maria Pia Pagani | 22nd Aug 2021 | Italy, Review, Theatre and Art
The Museum Complex of Santa Maria delle Anime del Purgatorio ad Arco, in the ancient center of...
Read MorePosted by Alexander Fatouros | 27th Jul 2021 | New York, Review, Theatre and Art, Transmedia, United States of America
Speaking to humanity across time and space, Archive: This Was the End is an interactive sculpture...
Read MorePosted by Lara Cox | 18th Jun 2021 | France, Review, Theatre and Art, Theatre and Politics
History, as they say, has a habit of repeating itself. When French theatre-makers seized hold of...
Read MorePosted by Alexander Fatouros | 20th May 2021 | Interview, New York, Theatre and Art, Transmedia, United States of America
Located in graffiti-laden downtown Manhattan where the East Village and NoHo meet at 47 Great...
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