Post-Colonial B-Horror: “The Visitors” at Volksbühne Berlin
This summer, Berlin’s Volksbühne presented The Visitors, a new work by the choreographer Constanza...
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Theatre and Dance
Young Choreographers at Teatro dell’Opera di Roma
For the corps de ballet of an Opera House, the place par excellence for the preservation of the...
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Sensing Others through Dancing Bodies as Data: Review of Sense Datum by UBIN DANCE
In this day and age, the word data evokes preconceived images of algorithms, artificial...
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“Writing Using:” Framing the Body’s Process of Liberation Through Contemporary Dance
Writing Using is the most recent work by Ahn Aesoon, one of the most renowned contemporary dancers...
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A Reflection On Nuit, A Dance Performance Genuinely Talking The Truth Of Humanity
Night, a faint and obscure shroud, creeps over and overtakes space. Sounds of footsteps clattering...
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EXÓTICA by Amanda Piña
A transpersonal and transcultural desire to dance together EXÓTICA is a journey that sets off even...
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Egypt’s Prima Ballerina Magda Saleh Passes Away In Cairo
Egypt’s esteemed prima ballerina Magda Saleh passed away in the early hours of Sunday in...
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About Vortex
Last Saturday, I went to the Excelsior Studios in Park Royal to see a performance of the Russell...
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A Dramaturgy Of Desire
What is the transformative potential of party performances? Since venues reopened after the –...
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“FLY” – Sidney Leoni
An imaginary trip with the god of dance While he was often called le dieu de la danse, Vaslav...
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“Lemons Lemons Lemons Lemons Lemons” Play – How Silence and Body Language Can Communicate as Much as Words
When we talk to each other, there’s what we say out loud, what we wish we could say, and what...
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“All Night Long” by Chantal Akerman
Dance, the maternal and the push and pull against the form. The feature length film Toute une nuit...
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You Came to See the Obscene?—”2020: Obscene”
Alexandra Bachzetsis’s latest group performance, 2020: Obscene, estranges the word obscene from...
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Marching the Streets with an Empty Protest Board: Where Lies the Power of Protest?
On Saturday 19 November 2022, I witnessed the performance Hands Up! by dancer and choreographer...
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Art, Dance, and Film of Ingrid Nachstern and Cate McNider
It was a chance meeting at MoMA’s dance series “Some sweet day” that brought Ingrid Nachstern and...
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Generation XIII – A Documentary Podcast
Five dancers. Three years. One school. Every three years 1000 young dancers from all over the...
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Review: Jazzart Dance Theatre’s “Survive”
SURVIVE. Triple Bill: Wasteland choreographed by Dane Hurst. In Body as One choreographers: Grant...
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Highlights from the Mladi Levi Festival in Ljubljana
The 25th edition of the international theatre and dance festival Mladi Levi (Young Lions) was...
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Győr Is Once Again the Capital of Dance
The western Hungarian city of Győr will once again be dominated by dance this year from June 13 to...
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The Awe-Inspiring and Vibrant World of Cirque du Soleil’s “CRYSTAL”: Circus On and Above Ice
An incredible spectacle, Cirque du Soleil’s CRYSTAL is an artistic feat, blending circus arts with...
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