Doubtless Doubt
Whatever your opinion of the profundity of John Patrick Shanley’s Pulitzer- and Tony-winning 2005...
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Theatre and Religion
Ascanio Celestini’s “Rumba. The Donkey and the Ox”
Writer, actor, and director Ascanio Celestini is one of Italy’s most celebrated theatrical...
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A Hindu Epic Takes the Stage in Hong Kong
If Hong Kong was the setting for a hero’s journey — the storytelling arc of trials and temptations...
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Willy Hudson’s “Welcome Home” at the Soho Theatre: Messy Queer Sci-Fi Show
Willy Hudson is a writer and performer from Exeter — his Willy Hudson Ltd theatre company...
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“Sons Of The Prophet,” Hampstead Theatre
Pain is, at one and the same time, something to avoid, and also something you can use. Kahlil...
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Godless Clergy Members in “The Unbelieving”
The Unbelieving is documentary theater (all the lines are taken from real interviews), but this...
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Theatre After COVID: The 2022 Avignon Theatre Festival in Search for Theatrical Magic and Forms of Philosophical Transgressions – Part I
I arrived at the 2022 Avignon Theatre Festival seeking emotional rejuvenation after two years of...
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“The Brothers Karamazov” at The Zagreb Youth Theater
Zagreb Youth Theater (ZKM), premiered on February 26, 2022 It is almost impossible to begin a...
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Shahid Iqbal Khan’s “10 Nights” at the Bush Theatre: Moving Insight into Ritual and Belief
Since 9/11 there has been considerable interest in staging stories about British Muslims, and the...
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Dr. Julisa Rowe: On Drama, Ministry and Giving Back to the Next Generation
Dr. Julisa Rowe is a name that many may not recognize, but should. With over 35 years of...
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About “A Coin In Someone Else’s Pocket”
Today, I watched the first episode in the Tools for Change trilogy, digital reimaginings of three...
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“Magdalene” at Prototype Festival
What are the first words you think of when you hear the name Mary Magdalene? Prostitute? Saved?...
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Live Your Life! : An Interview with Deborah Zoe Laufer
Interviewer: You had said once “My plays are generally about things that perplex me. And worry me…...
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Ritualizing Identities: “SUGA” by Travis Coe at Double Edge Theatre Company in Ashfield, Massachusetts
At the center of the large wooden barn is a makeshift altar, wrapped in gauze and adorned in...
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Festival Místicas: How to Perform Ancient Religious Texts in the 21st Century
It is autumn in Madrid, Spain. A small group of theatergoers has arrived at Zapadores, a new art...
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David Baddiel’s “God’s Dice” at the Soho Theatre: Mid-Life Crisis as Science Confronts Religion
One of the great cultural divides is that between religion and science. Of course, as novels such...
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Translating Trojan Horses
In 2019, Ayesha Manazir Siddiqi was asked to translate Trojan Horse, a play by Lung Theatre based...
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It is a Different Take on “Mahabharat:” Puneet Issar on Directing the Epic on Stage
Puneet Issar, who plays Duryodhan in BR Chopra’s renowned television show, says his version of the...
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There But For the Grace: Cusi Cram’s “Novenas for a Lost Hospital”
The dramatis personae of Novenas for a Lost Hospital is wide-ranging. There are doctors and nurses...
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“The Talmud” at DOXSEE
The Talmud, Meta-Phys Ed.’s new play at The DOXSEE Theater in Brooklyn, is ambitious. I mean, just...
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