Fjolla Hoxha

regional managing editor

f.hoxha@thetheatretimes.com

Fjolla Hoxha is a freelance writer and director. She is a Program Associate for American Councils for International Education. In the past she served as Assistant Professor at Drama Department, University of Prishtina.

The Use Of Children In Milo Rau’s “Five Easy Pieces”: Exploitation, Or Confrontational Theatre?

Posted by Fjolla Hoxha | 1st Dec 2018 | Directing, Essay, Germany

The re-enactments are a way to examine and reproduce human feelings. —Milo Rau [1] This summer, as...

Read More

The Power Hunger: Jeton Neziraj’s “Balkan Brothel”

Posted by Fjolla Hoxha | 1st May 2017 | Kosovo, Theatre and Politics

“The object of terrorism is terrorism. The object of oppression is oppression. The object of...

Read More

Introducing the Politically Incorrect Theatre

Posted by Fjolla Hoxha | 3rd Jan 2017 | Essay, Kosovo, Theatre and Politics

A review of Jeton Neziraj’s play Carla del Ponte trinkt in Pristina einen Vanilla Chai Latte,...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

“Catarina and the Beauty of Killing Fascists” at the… by Maria Delgado 15th August 2024
Mozart! The Gem of European Musical Theatre by Lisa Monde 8th October 2024
Musical “Evita”: 45 Years Later by Lisa Monde 22nd February 2024
Director Laura Jones’ Career-Long Exploration… by Paul Shields 26th October 2024
Ché Walker’s Burnt-Up Love at the Finborough… by Aleks Sierz 1st November 2024
“The Maids” by Genet: The Logic of the Paradox by Lisa Monde 2nd January 2024
Wajdi Mouawad’s “Littoral”: Searching for Peace… by Walter Byongsok Chon 22nd July 2024
“Border” And “Sheol/שאול” –… by Klaudia Święcicka (Klaudiusz Święcicki) 10th October 2024
Trauma In Translation: Stratford’s Milestone… by Barbara Gabriel 19th October 2024
“Kafkaesque!” A Musical That Is As… by Morgan Skolnik 5th November 2024

Recent Posts

Starlight Express The Musical: 40 Years in The Orbit 14th November 2024
Capitalism Meets Austerity in Àlex Rigola’s “Glengarry Glen Ross” 11th November 2024
Chela De Ferrari’s “The Seagull”: Theatre, Identity and Unrequited Love 10th November 2024
Shakespeare In Iraq: An Interview With Dr. Samir Talib 9th November 2024
The Many Monsters of Ars Nova’s “The Beastiary” 7th November 2024
“Kafkaesque!” A Musical That Is As Hilarious As It Is, Well, Kafkaesque 5th November 2024
Ché Walker’s Burnt-Up Love at the Finborough Theatre: Crime and Redemption In A Shining Gem Of A Show 1st November 2024
“Ghosts of My House” In İstanbul: A Contemporary Canadian Play Out Of Context Or Domesticating Whiteness 31st October 2024
“1981” directed by Tomi Janežič at Novi Sad Theatre 30th October 2024
Director Laura Jones’ Career-Long Exploration Of Beckett Concludes With “Godot” 26th October 2024

SEARCH OUR ARCHIVES

Pin It on Pinterest