Jordan Cheng: The Genial Striver Of Hong Kong Musical Theatre
Is Jordan Cheng for real? The 37-year-old actor, singer, and composer is everywhere these days....
Read MorePosted by Molly Grogan | 19th Jul 2024 | Hong Kong, Interview, Musical Theatre
Is Jordan Cheng for real? The 37-year-old actor, singer, and composer is everywhere these days....
Read MorePosted by Molly Grogan | 17th Jul 2024 | Hong Kong, Review, Theatre and Politics
Amy Ng has a problem. The Hong Kong-raised, London-based playwright is holed up in a Causeway Bay...
Read MorePosted by Molly Grogan | 10th Jul 2023 | Directing, Essay, Hong Kong, Musical Theatre
Some performers were born to be on Broadway, and Eugene Ma could easily be among them: The...
Read MorePosted by Molly Grogan | 15th Jun 2023 | Adaptation, Hong Kong, Interview, Theatre and Religion
If Hong Kong was the setting for a hero’s journey — the storytelling arc of trials and temptations...
Read MorePosted by Oliver Giles | 2nd Jan 2023 | China, Hong Kong, Producing, Theatre and Art
Para Site, one of Hong Kong’s leading contemporary art spaces, is famous for its sprawling,...
Read MoreIt was well past midnight on October 2, 2021. Current Plans—at the time known as Present...
Read MorePosted by Rossella Ferrari | 1st Oct 2022 | Adaptation, China, Directing, Festivals, Hong Kong, Poland, Review
Tang Xianzu’s sixteenth-century classic, Peony Pavilion (1598), is a play about boundaries and...
Read MorePosted by Molly Grogan | 10th Jul 2022 | China, Hong Kong, News, Producing, Theatre and Politics
Hong Kong’s branding campaign as “Asia’s World City” sings the praises of its liveability,...
Read MorePosted by Elizabeth Kerr | 15th May 2022 | Design, Essay, Hong Kong, Theatre and Film
This story is part of a collaboration between Zolima CityMag and the Hong Kong Design Centre’s new...
Read MorePosted by Urszula Pysyk | 10th Apr 2022 | Festivals, Hong Kong, Japan, Poland, Review, Transcultural Collaborations
Looking at the titles in the InlanDimensions theater lineup, I was hard put to find a common...
Read MoreThis article is brought to you by Hong Kong Arts Festival. We know that what separates humans from...
Read MorePosted by Molly Grogan | 21st Dec 2021 | Applied Theatre, China, Education, Hong Kong, Interview
Louis Siu is performing the oldest known musical practice in the world, in a coffee shop in North...
Read MorePosted by Dawna Fung | 2nd Dec 2021 | Adaptation, China, Hong Kong, Review
What has been left after all well-written dialogues, which were once deemed to be the spirit of...
Read MorePosted by Zolima Citymag | 30th Oct 2021 | Applied Theatre, China, Hong Kong
The rhythmic sound of drumming echoes through the streets. Tai Hang is normally quiet on...
Read MorePosted by Zolima Citymag | 9th Oct 2021 | Hong Kong, Review
When Tang Kwong-san and fellow Hong Kong artist Yuen Nga-chi first visited Tung Ping Chau a few...
Read MorePosted by Simon Cartledge | 12th Sep 2021 | Hong Kong, Interview, Theatre and Dance
It’s hard to think of a more awkward time for Yuri Ng to have become the City Contemporary Dance...
Read MorePosted by Alexa Alice Joubin | 12th Jun 2021 | Adaptation, Essay, Hong Kong, Japan, Singapore, South Korea
During the AAPI (Asian Americans and Pacific Islanders) heritage month, let us explore the...
Read MorePosted by Molly Grogan | 5th Jun 2021 | Adaptation, China, Covid-19, Hong Kong, Review, Transmedia
The Hong Kong Arts Festival has simultaneously commissioned two provocative productions of Neil...
Read MorePosted by Jingyi Zhang | 16th May 2021 | Hong Kong, Review, Theatre and Opera, Transmedia
Laila, a special co-production by the Hong Kong Arts Festival (HKAF) and the Finnish National...
Read MorePosted by Elizabeth Kerr | 27th Apr 2021 | Directing, Hong Kong, Review
It’s hard to categorize Anson Mak Hoi-shan. In a video call in early March, the only time the...
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