Pari Saberi: A Pioneering Woman In Iranian Theatre Passes Away At 92
Pari Saberi, an influential Iranian playwright, director, novelist, translator, and actress, was...
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Iran
Report From The Underground: A New Iranian Theatre
For many Iranians, the contemporary history of the country is divided into before and after...
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Digital Play Dissecting Consumerism Culture, A Review of “Rich Kids: A History of Shopping Malls in Tehran”
The play Rich Kids: A History of Shopping Malls in Tehran, authentically narrates the story of a...
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Review: “UnTuned” (Golvareh)
It’s hard to prepare for life’s high and lows when you think too highly of yourself to expect...
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Rabbits in the Circus of COVID Isolation: A Review of “White Rabbit Red Rabbit”
The play White Rabbit Red Rabbit is an experimental piece by the Iranian playwright Nassim...
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Fadjr Theater Festival Stages Plays Despite COVID-19
The 39th Fadjr International Theater Festival celebrated a wide range of performances, from staged...
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Interview with James Shapiro on Adaptation of Shakespeare Plays on the Contemporary Stage
James Shapiro is a Shakespeare scholar and a professor of English and Comparative Literature at...
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Repertoire Readings: Connecting the Past to the Present: Farinaz Kavianifar Interview with Ruhollah Jafari
Giti Theatre Group broke records raising funds for flood victims in Lorestan, Iran with a...
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Amid the Waters: Afghan Stories Stream Diversity on the Iranian Stage
I saw Amid the Waters amid the hustle and bustle of Tehran’s downtown at Tehran City Theatre...
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The Intercultural Journey of An Iranian Performing Artist
Niayesh Nahavandian is a young, Iranian female performing artist that has lived and worked in...
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Theaters in Iran Reopen Amid COVID-19 Concerns
After four months of closure, theaters in Iran are able to open because they implemented necessary...
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Musicals Dominating Tehran’s Theaters: The Box Office’s Popular Trend
A look at ongoing productions on Tehran’s stages shows a growing interest in box office hit...
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“Launcher 5,” or a Recipe to Make Young Men Monsters
Launcher 5’s honest rendition of narrative and characters is its winning card, which drew an...
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Shakespearean Tragedy Unfolds Wave of Populism on Tehran Stage
A Review on Iranian Adaptation of Coriolanus in Tehran A free adaptation of William Shakespeare’s...
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Laughing with a Burnt Heart: Will There Be an End to Hatred?
A successful play is a machine all of whose parts are thoughtfully selected to serve its overall...
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They Didn’t Give Us Permission to Sing Love Songs: A Look on Ruhollah J’afari’s Performance of “Richard III Will Not Take Place”
Ruhollah J’afari’s Richard III Will Not Take Place is an excavation of real historical events. A...
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Theatre of Inquiry: Matei Vișniec’s “Richard III” Takes Place in Tehran – Interview With Rūhollah J’afarī
About this performance and its director also read Self-Censorship Is a Castration of Ideas: A...
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Russia Meets Iran: J’afari, Vișniec and Meyerhold, Partners of Ideology, Traversers of History
Read Farinaz Kavianifar’s interview with Rūhollah J’afari. On the evening of August 3, 2018,...
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Self-Censorship Is a Castration of Ideas: A Conversation with Ruhollah J’afari, Dramaturg and Director of the Play Richard III Will Not Take Place
Also, about this production, read “Russia Meets Iran: J’afari, Vișniec, and Meyerhold,...
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To Be Public or Private That’s the Question: A Short Note
Around fifteen years ago performing arts in Tehran were bound to perform in six major venues...
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